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Thursday, August 4, 2011

Pink on white just ain't right


You might notice a few things about today's image. Angelique looks hot as hell, pink latex and perfect hair on a beautiful gal. The restraint is fine, crisp and neat. Angelique's hair looks wonderful. The bitgag is sunk deeply as a bitgag should. Oh yeah, it looks like she's in a basement. Actually for that set we wanted the look of an area under renovation, but that's not the final plan. It's a set space, so we need it to look like a completely finished corner ... an any-room. That's just my term for a set area that you can re-paint and re-furnish for shoots. One shoot it looks like a living room, the next it's a bedroom and the next it's a secret laboratory.

Our old house was terrible. It was about 25 years old, had dated looks everywhere and couldn't run an A/C unit for more than a week without breaking down. The carpets were this sickly blue that was faded and I'm sure the height of rug fashion in 1982. Maybe Duran Duran would comment kindly if they ever visited but for shooting it was a terrible color. Everything was dark. The windows were small and none of the hardwoods had been pruned in over a decade, so shade was everywhere. It was a rough living space and an absolutely dreadful shooting space.

The dining room was a different story. It had beautiful hardwood floors, earthy red and green walls, crisp white trim and actual light. That was because of Angelique though. She had me go out and take down three of the sickliest beach trees you'll come across. That's a post in itself. If you've never dug out the root system of three trees I would recommend paying someone to do it or investing in dynamite. With the trees gone sunlight invaded the hell maw and we had nice, even lighting in the dining room. Even better the colors suited models well and were easy to light. Earth-tones tend to absorb light instead of reflecting it and fair-skinned models hate when blue or green walls make them look like something 13 minutes into a zombie flick.

That's the plan for the set space, and my task for today. I get to spackle, paint and add trim until we have a convincing corner of a dining room. Well worth it I'd say with Carissa Montgomery being the first to become a tight little bundle there. Unfortunately for her having two complete walls as part of the set means the suspension rig is secure and totally safe. Might be time for that upside-down duct-tape mummification I've been planning.

Brought to your courtesy of Pretty Tied Up in Pink with Angelique!

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