Every Hogtie Is Different from the Last But No Less Strict

Mental note: choose truth next time and not dare!

I tie restraints a little different each time, so it's always nice to go back and review earlier shoots. So much of tying a girl up for me happens on the fly. I know that I will do a hogtie, but I have no idea of the mechanics of the position ahead of time. It starts and then evolves into the final restraint based on spontaneous factors. I know A and I know Z, the hell with how I am going to get there. I have a damsel that can handle great restraint. I am a rigger that knows how to tie someone up. I trust that we will both get to a place that look spectacular.

I do restraint on the fly. I find that for me the fluid results is far better than a meticulously planned position. So many things happen during a restraint that throw off a rigid plan. I like to go with the flow. I know where I am starting and let the river take both of us. It will go to the right place if I trust in her ability to take restraint and my ability to apply restraint. As such my hogties are always a little different each time I do them. I need to secure some rope, so I add something. I have some rope left over, and I do a decorative coil or a wrap of some sort. I need her to arch more, and I add a cinch or two in a place that I haven't before. It's great for me to have a mental inventory of all these variations because at the time all my brain remembers is I hogtied a damsel.

The image above is a great example. I have hogtied Angelique more times than I can count. I have used nylon rope, cotton rope, jute rope, duct tape, electrical tape, stockings, white rope, red rope, black rope, brown rope and the list goes on. Every time the restraint is different. The river takes us both to the same destination of ultra-strict restraint, but that journey is different. This hogtie took some turns that changed the look. A rock appeared and we veered to the left. We hit some rapids and needed to paddle hard back to the right. Some small and not-so-small obstacles demanded we steer the raft where the river wanted, not where we planned. I glanced over and could not see my scissors when I wanted to cut away the pantyhose that would not fit in her mouth, so I just taped over the wad over her lips. It made for a great gag. I felt like her arm ropes would slip so I used decorative loops and cinches to hole them in place. The look was great. I needed a rope for the hogtie and was out, so I untied her knees to use that rope. The knee spread allowed for a much more severe arch in the hogtied. A dozen or more elements of that hogtie happened because we hit on-the-fly challenges and just went with the flow. The result was one of my favorite hogties!

Image courtesy of Packed Mouth and a Jacked Hogtie with Angelique Kithos. Available at http://www.clips4sale.com/38048/10578825.

The Damsel Dolly

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I Should Have Worn My Door Opening Heels!

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Angelique Kithos is hard as nails!

Wrists past her ankles!

Imagine that you're sitting on the couch one day, and Angelique Kithos walks up to you. She says she wants to shoot clips for you bondage store, and she has all day to do it. Your mind goes through the possibilities, but your cut off by her saying, "no bullshit, I want everything you give the other models and more." I mean how can you say no to that? You can't, so I complied with her request.

She's always wanted to tune up the fight scenes for her store, so I used it as a chance for a mock fight. She played the cat burglar, and I played the bounty hunter. Yes, the cat burglar is an often used premise, but Angelique filling out that black spandex is something. She's over 6 feet tall in heels, has legs to die for and tits so perfect she is asked monthly for a reference to the doctor that do her implants ... surprise, they're all real! She walks in, I walk in. She starts throwing punches that I dodge and block because I'm the damn director. I connect though, and she's on the floor waiting for the bondage to start.

I tie her wrists and ankles before she starts some hard struggling. In her usual fashion she's calling me names and even tries to spit on me. That gets her a mouth stuffed with panties and tape wrapped around her face to keep them in. Her words are garbled but angry as I tie her chest and then weld her arms together behind her back. She again struggles like hell, a symphony of helplessness in constant motion. The problem is that she's made sure I can't call in my capture to the authorities. I can't just be driving around with a tied up girl in the truck, even bounty hunters have to play by certain rules. My only choice is to use the neighbor's phone which means the energetic beauty has one more length of rope going on. I pull her into a hogtie with her ankles to her chest and keep wrenching it so the ropes between get shorter and shorter. She grunts in discomfort as her chest and knees are pulled completely off the ground in a forced arch.

She can barely move and the discomfort is obvious on her face. She is not faking that classic damsel expression because the position forces it out of her. For seven minutes she can barely move in a position that provides no chance for comfort of any kind. The breathing through her nose gets more and more distress, the expression on her face gets more and more contorted and the sweat from the strain pours down her face. We keep the house at about 64 degrees when we shoot and use fluorescent lights. When you sweat it's because the ropes are tight, tight, tight! When the panties came out of her mouth she asked, "okay, a mummification next?"

Image courtesy of Brutal Back-arch for the Bitchy Burglar with Angelique Kithos.

I am "HENCHMAN"

I get to play the assistant to a super villain today which means I'm a henchman. It's not just the shirt that makes me a henchman, even if it does say "HENCHMAN" ... it's that I get to tie up two gals and be, um, henchmanish. As you can tell I'm a firm believer that it's fine to make up words. I'm also a firm believer that it's awesome to have people ask you to do rigging for them. It's great practice to capture (pun intended) the vision of others rather than tie in my own style.

All the intro footage is being shot which leaves me a lot of time before my scene. Well, intro footage if you count two girls tussling and then spanking each other. That gives me plenty of time for updating clips. I still have a bunch of re-masters to finish, but that's not stopping me from getting new things done as well. I showed a sneak peek from a clip yesterday, and it's actually up today. It stars Angelique Kithos and Kerri Taylor in They Wore Tight Skirts and Rope That Hurts. It was a fun one because tight spaces are always a challenge for lighting and filming. It requires models that know how to keep moving and are smart enough to let me see that their elbows are tied even though they're jammed into a tight corner!

Ever clip I shoot there's always a scene that I kick myself for not filming. For this clip I shot a short intro of them pleading. Then I tied their elbows and chests and asked them to move into the doorway. Why I didn't take a photo of them from behind with those arms tied is beyond me. I was just in a hurry to get the scene going. The moral of the story is that I have a small digital camera for candid shots for a reason! Maybe next time :)