The Damsel Dolly

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Strict Bondage and Tight Gags

Wenona strains without any gain!

Everything about a certain set says strict bondage and a tight gag. The predicament above features Wenona as the damsel in distress. She plays the role well and understands that the best acting comes from good direction. In this case the director is white nylon rope pulled ultra-tight and a gag strapped in not one but two notches past the normal. I refer to this as the minimalist approach, but my version of minimalism results in a scene of true helplessness.

In the image above every rope around Wenona is pulled tight. Every loop is neat. Every knot is unforgiving. The bondage forces exertion. The exertion tenses her muscles and build a sheen of perspiration all over her body. The ballgag is pulled just tightly enough into her mouth that these exertions force shortness of breath and moaning. Her pants and moans allow drool to run freely from her mouth, down her chin and onto her chest. Her body is over-sensitized from a tight crotchrope digging in deeply enough to stimulate but not so much to cause pain. Her nipples become fully erect as blood flow is diverted to her skin. Even the air flow from the vent is enough to continue the stimulation on her nipples now.

Acting the part at some point is replaced by becoming the part. I do not have to tell her to struggle. The bondage and gag have compelled her to struggle. Her tensed muscles start the release of endorphins. She cannot even feel the ropes now, but she can certainly feel the slight tinge of euphoria coming over her body. She no longer fights the ballgag and lets is sink deeper into her mouth forcing out even more drool. She gyrates in her chair forcing the crotchrope to continue rubbing against her, forcing the air to continue wafting against her engorged nipples. There is no longer agony from the ropes, only the body's desire to keep the endorphins flowing and maintain the sweet sensations she is no lost among. Struggling is now automatic.

So it goes on for long minutes. Wenona left her mental script of, "wiggle, moan, arch, moan, try to drool, big eyes" a long time ago. The ropes and gag have done their work. The have held fast and produced a chain reaction that turned her into a real damsel in distress. She is no longer struggling against the ropes and gag but with them. Drool flows freely down her chin as she moans not from a script but from the ropes rubbing against her over-sensitized skin and that crotch rope pulled to just the right tightness working against crotch. Her movements are no longer about release but about maintaining the sensations. She is almost shocked when I say we're done. Her look is one of being snapped out of a trance with perhaps a little disappointment added.

There are many ways to make a girl helpless with strict bondage and tight gags. A truly fun way is to tie them in a way where their struggling creates a set of events that make them want to struggle instead of feel like they have to struggle. It is not voluntary. The events compel the girl to so so, and that means they are damsels in distress in the truest form. So close to escape but never reaching it because struggle becomes about struggle for the sake of struggling instead of struggling for the sake of freedom. In essence though are those sensations not the true freedom? A little release of endorphins and a little, "ah, that was nice" to recover from a rough day can do wonders I would think.

Image courtesy of Welded in White with Wenona.

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Tale of Even More Tape

I used a heading a bit back called "Tale of the Tape" referring to ultra-strict tape bondage. It had one of my favorite screenies of a very tight restraint using electrical tape. I've had a few shoots since then where the tape bondage crown has been taken away. Every time I think I've gone back for another roll of electrical tape I think there's no way I'll ever use more than this, and then there's always another shoot where I use more electrical tape.

Back when that first screenie video was shot my scripts focused on a lot of bondage and quick restraint sequences to set the scene. The mantra was tie 'em quick, tie 'em tight and let 'em struggle the rest of the night. I had no idea though that there were so many fans of on-screen gagging and restraint. I started adding more and more of the restraint elements and received more positive feedback.

The only problem with showing more restraint for me is that I tie very fast. I've tried and it's almost impossible for my muscle memory to allow me to tie slower than I already tie. I've done rigging work in other producers videos and they keep saying, "tie her slower, I need more of this footage for the fans." The way I solve this for my videos is to use more rope. I mean, it's a great solution. I want more on-screen tying time, I don't like slowing down how fast I tie so I'll just pile on the cordage. Unfortunately for the damsels I've gotten better at getting them into a mile of rope, so that gives me time to pull out some tape to top it off every so often.

It's been mentioned before but electrical tape is somewhat elastic. It stretches and then contracts to make a nice seal for wiring, plumbing and the occasional damsel. The image illustrates just that. I didn't smooth the tape at all and you can not only see the individual coils of rope but the weave of the rope as well. That equals challenging for anyone. I used to say strict tape restraints are challenging, and they are just that but on a level far below a strict rope and tape restraint! The old mantra still applies at times but when a model sees me plop down tape with the rope they know the mantra is tie 'em strict, tape 'em right and they'll hardly wiggle the rest of the night.

Tale of the Tape

Everyone has their strengths when it comes to bondage. There are girls who can wear ballgags and girls who can wear huge ballgags. There are girls who can drool and girls who have strands dripping off their chin like somebody left a faucet on. There are girls who can wiggle and girls who flop around like a fish on the deck of a boat. There are girls who moan pitifully and girls who sound so distressed you have to stop shooting for a moment just to be sure everything is okay. There are girls that do well with rope, girls who do well with straps and girls who do will with stockings; then there are the girls that can really handle tape.

Ultra-strict restraint is a challenge in itself both mentally and physically, but nothing really compared to ultra-strict tape restraint. Rope has several qualities that tape can never have. First, rope is fairly rigid; we call that a low coefficient of restitution. Second, rope isn't sticky as hell. Finally, rope breaths! Why does that make tape so challenging?

Skin gets uncomfortable when it can't breath. Rope, even tight rope, lets some amount of air in and increases the comfort level. Tape blocks air out completely. Your skin can't breath and you sweat like hell which is doubly discomforting. It is uncomfortable to be pinched. Rope shifts a little as you move but tape is welded fast. When you move the tape pinches and pulls. Last, and in my opinion the worst, some tape like electrical tape stretches and then compresses with a rubbery quality. This is called a high coefficient of restitution. Electrical tape wound tightly is like a huge rubber band. Let's combine all those now. Imagine a huge rubber band that squeezes into your flesh tighter than any rope could be pulled. Image that rubber band sticks to your skin like glue; every movement pulls, pinches and hurts. Finally, imagine that on top of this your skin starts itching from lack of contact with the air. It's not fun.

The easiest way to put it is that I've tied up a dozen gals that could have their elbows welded and be put in a back-arched hogtie and make it through a video set under hot lights. I've taken some of those same gals and done a tight tape restraint and they don't last 1/3 of the time. Tape wears you out and separates the tough from the down-right indestructible damsel.

That brings us to Elita. I have a TON of video of her. We worked together for about 14 months, and we ALWAYS used tape at least once. She loved take down sequences and for a quick tie-em-up, electrical tape is always a great choice. The picture speaks for itself really. Her elbows are smashed, there are no gaps at her knees or anywhere between her legs, her ankles are so close her shoes are flared out and the tape cuts in deeply. She never went away bruised. She never went away hurt. She just had the body and skin that could deal with that sort of thing, and I'm not talking about a couple minutes; she could deal with it for a long time. Need proof? Check out Elita in She Knew Too much ... apparently snooping around in the wrong files gets you taped up, roped up and far worse!