I Saw Ludella in the Window and Just Had to Have Her ... In Strict Bondage!

Bound, gagged, helpless ... alone.

I'm an oddball in many respects, one of them being my use frequent use of negative space. It can show just how helpless and alone a damsel is during her plight. It can emphasize the vastness of a space and how tightly constrained a captive is to her surroundings. I could get right up into a damsel's face, and I do often, but if I do not pull back to show just how alone she is with her helplessness then I am denying the viewer of her perspective.

Negative space is the area around and between subjects in a composition. I tied Ludella very tightly the shown set. I packed her face full of panties, and I taped them in without any yield. I folded her into a strict, little bundle and poised her three feet off the ground. Of course I am going to show tight shots of her struggling, the shine of the light off a her gag and the furrow in her brow as her struggles dig tight ropes even deeper into her porcelain skin. Of course I am going to capture fully body views of her beautiful form in ultra-strict bondage, wriggling and moaning away as she fights her captivity. I am however doing an injustice to not pull back for a wide shot at least once to let the viewer see just how alone she is with her plight.

I isolated Ludella with her restraint. I made her helpless, uncomfortable and unable to move. I then balanced her precariously on a pedestal higher off the ground than any bound and gagged model would care to be teetering. What better way to showcase this than with a nice use of negative space. The viewer now sees how small Ludella is in the full scope of her surroundings. They see just how little she can move and that she has no chance for escape. She can barely struggle and even if she could she would not for fear of toppling to the ground. The door is so far away. There is no way to reach a phone, get to any scissors or make enough noise to reach the outside. She is small in comparison to her surroundings and this smallness showcases her extreme helplessness. She is made even more helpless by devoting less of the frame to her, almost as if she is just another item in the room. Her is my furniture,  rug, lamp, television, and oh by the way, have you seen my new Ludella? I really think she brightens up the place but enough about her, I want to show you the other rooms.

Image courtesy of Bound, Gagged and Sitting Pretty with Ludella Hahn. Available at http://www.clips4sale.com/38048/10273401.

The Strict Hogtie Is Her Arch-Enemy

Bondage pilates requires frequent arching!

I remember my very first professional hogtie. I say professional only in the respect that it was with a model, it was a paid shoot and I was actively trying to generate bondage material. I had a series of shots that I wanted to capture, and I ran the model through all of them repeatedly until I was happy I had what I needed. I repeated this for each set until the last set, the hogtie. I always saved the hogtie for the last set. They tended to be super-tight, super-strenuous and for the bondage-uninitiated a real eye-opener.

I ran through each angle with precision invariably saying, "big arch." The model looked at me like I was from another world. She could barely move, and any movement that was possible resulted in levels of discomfort that prompted eye rolling, muffled sighs and the occasional raising of a middle finger. She arched meekly and plopped back down almost instantly. I told her that I needed longer to get my focus. She shot me a look that questioned my sanity, grunted, arched, held the position for a half second and plopped back down again. I lowered my camera, told her I knew it was hard and added that when the flashes went off she could relax. She looked at me wondering why I was not taking pictures having her trussed up like a holiday goose. She wriggled in discomfort, crinkled her forehead and flexed her hands. The wheels were turning, and she was questioning if her choice to model was the right one. I readied my camera. She arched, held it and began to tremble slightly while I got my focus. I said almost there in a supportive voice, and her forehead pinched into that lovely damsel expression. I pressed the shutter button. The flashes went off, she collapsed to the ground and groaned in relief. I told her that was great, and her eyes looked like she would be smiling if her face full of ballgag would allow it. I told two more. The look she gave me then was almost asking if I was joking, but she knew I was not. She arched twice more for shots, each time holding the position until her face shifted from "come on and take the damn picture" to "what the hell have I gotten myself into?" Imagine her surprise when she learned I had six more angles, and they all needed arching.



Image courtesy of Packed Mouth and a Jacked Hogtie with Angelique Kithos. Available at http://www.clips4sale.com/38048/10578825.

Pepper Sterling and Monica Jade, Setting Up Shoots Now

The images above are linked from Monica's and Pepper's public Tumbler pages and remain the copyright of the producer of the images,  the model in the image or a party copyright has been transferred to by the original holder. These images do not show my work with the model and are provided as examples based on publicly available material of each model.

I am setting up shoots with both Pepper Sterling and Monica Jade. I am very excited about the opportunity to work with both of these wonderful women. I have already worked with Monica on other fetish content and am looking forward to working with her on strict bondage material. Pepper recently contacted us, and I am highly impressed with her growing bondage portfolio.

Both girls are highly flexible and have a high discomfort level. Monica will appear fully nude while Pepper will do up to topless. Pepper is available for forced orgasm material. Both girls are available for grope and fondle, spanking, breast bondage, clamps, lift and carry, suspension, mummification, human furniture, severe elbow restraint, extreme mouth-packing, transport, crotch ropes, flogging and moderate breast torture. If your interests fall outside of this list please feel free to inquire about other things each model is available to shoot.

Customs are on a first-come-first-served basis with priority given to any custom 30 minutes or more.


For details about a custom with either girl please email me HERE.

More images of both girls are available at their Tumbler pages linked below:
http://peppersterling.tumblr.com/
http://msmonicajade.tumblr.com/

Chairs Don't Have to be Vertical for Bondage Fun

I sometimes order with my damsel on the side

There is a certain allure to doing something safe, thinking nothing of it at the time and finding out later that it scared the crap out of the model. I think of a situation in terms of security and safety. I tied Angelique's wrists, ankles and knees tightly. I ropes her wrists and ankles to the chair thoroughly and tied her chest and elbows over the chair back. I welded her nicely to the piece of furniture and at no risk of falling. Even though I plugged her face with a huge ball and taped it in place tightly I could still make out the difference between her play-acting and her communications about comfort. I grabbed the chair by the back and seat firmly then slowly and carefully lowered her to the floor. It was slow, safe and, as I found out later, completely terrifying to Angelique.

Her perspective differed from mine greatly. She could barely move. Her elbows touched behind her back, and she was already losing feeling in her hands. The microfoam tape held not only the ball in her mouth but also a growing reservoir of saliva. Her vocalizations balanced making noise and keeping that pool of spit from hitting the back of her throat and causing a gag reflex. When I grabbed that chair the creaking noise that said "great video" to me said "holy shit this thing is going to fall apart!" She instinctively went to put her arms out to break her fall, but she could not. The restraint locked them to the chair. She couldn't even kick her legs out to help break her perceived fall. She shrieked automatically and felt her saliva hit the back of her throat. She started to cough and quickly fought back the tickle that could lead to gagging. The slow descent only prolonged her intense feeling that a rope or the chair would give way and send her crashing to the floor at any moment. My safely orchestrated move was a very intense experience for her indeed, and I had no clue that was the case.

I feel fortunate to have this footage. A part of this feeling is because this was the first video I ever shot with Angelique. This clip also highlights just what a perfect damsel Angelique is on film. She combines being feisty with helpless in a way I have never experienced. She can go from bitchy to whiny to wide-eyed and moaning in the blink of an eye. She is a rare case of loving a challenge but hating being restrained so tightly. There is no better damsel than someone who can loathe you while you tie her up, be genuinely concerned about what comes next while she is struggling and then tell you how awesome the challenge was while she questions you about what the next one might be. It brings out my creative side in the best way possible. Most importantly I am fortunate because this shoot is when I started falling in love with her. I could tell then I was off-balance, and I have been lucky to have her keeping me on my toes ever since. I have footage of the time I started to fall for the love of my life, and to me that is a very special thing indeed.

Image courtesy of His Dreams Turned into Her Bondage Nightmare with Angelique Kithos available at http://www.clips4sale.com/38048/10177341.

Nyxon Learns How to Furrow Her Brow, the Jacked Hogtie Way

Strict bondage: Furrowing brows since 1978.

When you do strict bondage there is always a point where a scenario shifts from a model acting like a damsel to being a real damsel in distress. This in no way implies any danger to the model, only that the restraint is real as well as the predicament. A tight, immobilizing position is not comfortable, allow escape or is easy to endure. There are ways to make things less strenuous, but when everything is finally cinched up into a jacked position model's are not entirely playing a part. Their skin feels the bite of tight ropes digging in, and their muscles tire and ache from being stretched and compressed. Their jaws start to throb as they try to focus past the tickle in the back of their throat or the increasing amount of saliva they cannot swallow or get past a tape gag wrapped around their head five times. Their grunts and moans become real. The furrow on their brow results from the ropes and not any acting experience. The look of distress on their face is from knowing they are at their limit but still have more time to go. Seven to ten minutes is not a long time in most circumstances, but it is an absolute eternity while in strict bondage. They only want to lie there until it is over, but they know that struggling and struggling hard is the only avenue to release. They are uncomfortable and movement makes this worse, but it is the only way they can reach an end to the scene. That is the true predicament.

Image courtesy of That Sucked and You're an Asshole with Nyxon available at http://www.clips4sale.com/38048/9565387.